Post Impressionism

Post-Impressionism Art: Artists, Paintings, Characteristics & Picture Study

The Post-Impressionist movement developed in the late 19th century as artists began building upon—and moving beyond—the discoveries of Impressionism.

The Impressionists had transformed painting through their interest in light, color, atmosphere, visible brushwork, modern life, fleeting moments, etc.

But the artists who came after them wanted something more.

Some wanted stronger structure.

Some wanted deeper emotion.

Some wanted symbolism.

Some wanted brighter, more expressive color.

Some wanted scientific approaches to color.

The result was not one single style, but a group of artists who each pushed painting in a new direction.

Some of the most famous Post-Impressionist artists include Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and Paul Signac.

Their work helped open the door to many of the major art movements of the 20th century, including:

  • Fauvism
  • Expressionism
  • Cubism
  • Symbolism
  • modern abstraction

In this guide, we’ll explore the Post-Impressionist period, its historical background, the characteristics of Post-Impressionist art, famous artists and paintings, and picture study suggestions you can use with children or students.

What Was Post-Impressionism?

Post-Impressionism describes a group of artists who worked primarily during the late 1800s and who were influenced by Impressionism but moved beyond it in different ways.

The term was not created by the artists themselves.

It was later used by British art critic Roger Fry when he organized an exhibition in London in 1910 featuring artists such as:

  • Cézanne
  • Gauguin
  • Van Gogh

The phrase simply means “after Impressionism.” But that can be misleading if it suggests the artists shared one unified style. They did not. Van Gogh’s swirling brushwork looks very different from Seurat’s tiny dots. Cézanne’s structured landscapes look very different from Gauguin’s flattened symbolic scenes. What united them was not one appearance, but the desire to take painting beyond the fleeting visual impression.

They asked questions such as:

  • Can color express emotion?
  • Can painting show something deeper than what the eye sees?
  • Can shapes be simplified?
  • Can color be organized scientifically?
  • Can a painting communicate symbolism?
  • Can nature be reduced to basic geometric forms?

Their answers helped create modern art.

When Was the Post-Impressionist Period?

Post-Impressionism is generally associated with approximately 1886 to 1905.

The dates are not exact because the movement includes several artists with very different careers.

Transition from Impressionism (Late 1870s–1880s)

Several artists began moving away from the central ideas of Impressionism.

Cézanne sought greater structure.

Seurat experimented with scientific color theory.

Gauguin developed increasingly symbolic imagery.

Van Gogh used color and brushwork to express emotion.

Major Post-Impressionist Period (c. 1886–1900)

The final Impressionist exhibition took place in 1886.

Around this time, newer styles became increasingly visible.

Important works by Van Gogh, Cézanne, Gauguin, and Seurat appeared during these years.

Legacy of Post-Impressionism (c. 1900–1905 and beyond)

Post-Impressionist ideas helped inspire a new generation of artists.

Movements such as:

  • Fauvism
  • Expressionism
  • Cubism

developed partly from the experiments of these artists.

Historical Background and Timeline of Post-Impressionism

Post-Impressionism developed during a period of rapid change in European society and art.

1874–1886: Impressionist Exhibitions

The Impressionists held eight independent exhibitions in Paris.

Their work challenged traditional academic painting and opened the door for younger artists.

1884: Independent Artists Organize

Artists increasingly sought alternatives to the official Salon.

The Société des Artistes Indépendants was founded in Paris, allowing artists to exhibit without traditional juried selection.

This helped create space for new approaches.

1886: Final Impressionist Exhibition

The eighth and final Impressionist exhibition took place in Paris.

Georges Seurat exhibited his monumental painting:

A Sunday Afternoon on the Island of La Grande Jatte

Its highly systematic use of tiny strokes of color looked dramatically different from loose Impressionist brushwork.

1886: Van Gogh Moves to Paris

Vincent van Gogh moved to Paris and encountered:

  • Impressionism
  • Neo-Impressionism
  • Japanese prints
  • modern color theory

His palette became much brighter.

1888: Van Gogh Moves to Arles

Van Gogh moved to southern France.

There he created some of his most famous paintings, including:

  • Sunflowers
  • The Bedroom
  • The Night Café

1888: Gauguin Joins Van Gogh in Arles

Paul Gauguin lived briefly with Van Gogh in the Yellow House.

The relationship became increasingly difficult and ended dramatically.

Despite the personal conflict, the period was important to both artists.

1889: Van Gogh Paints The Starry Night

While staying at Saint-Paul-de-Mausole near Saint-Rémy, Van Gogh created one of the most recognizable paintings in Western art.

1890: Van Gogh Dies

Van Gogh died at age 37.

He had sold little during his lifetime, but his reputation grew enormously after his death.

1890s: Gauguin Travels to Tahiti

Gauguin traveled to French Polynesia searching for what he imagined as a simpler and less industrialized culture.

His paintings from this period use:

  • flat color
  • symbolism
  • simplified forms
  • non-naturalistic color

His work should also be studied critically because his life and imagery were shaped by colonialism and complicated personal choices.

1890s: Cézanne Develops Mature Style

Cézanne increasingly focused on landscapes, still lifes, and figures using simplified geometric forms and carefully organized color.

His work became enormously important to later artists such as Picasso and Braque.

1905: Fauvism Emerges

Artists such as Henri Matisse and André Derain used intensely expressive color.

Their work owed a great deal to Van Gogh, Gauguin, and other Post-Impressionists.

Characteristics of Post-Impressionist Art

Because Post-Impressionism includes several very different artists, there is no single set of characteristics that applies to every painting.

Still, several important ideas appear repeatedly.

1. Expressive Color

Post-Impressionists often used color for more than describing what something looked like.

Color could communicate:

  • emotion
  • mood
  • symbolism
  • energy

Van Gogh might paint a night sky deep blue with swirling yellow stars.

Gauguin might use unusual colors to create a symbolic or dreamlike atmosphere.

Color became increasingly expressive.

2. Visible Brushwork

Like the Impressionists, many Post-Impressionists allowed brushstrokes to remain visible.

But their brushwork could become even more personal.

Van Gogh’s strokes may:

  • curve
  • swirl
  • pulse
  • repeat

Brushwork itself becomes part of the emotional experience of the painting.

3. Stronger Structure

Paul Cézanne believed Impressionism needed greater solidity and structure.

He carefully organized landscapes and still lifes through:

  • shape
  • color
  • repeated planes
  • geometric relationships

His work helped lead toward Cubism.

4. Simplified Forms

Post-Impressionist artists often simplified objects.

Trees, mountains, houses, and human figures could become:

  • flatter
  • more geometric
  • less realistic

Artists increasingly felt free to change appearance in order to strengthen the composition.

5. Symbolism

Some Post-Impressionists wanted to paint ideas rather than simply appearances.

Gauguin frequently used:

  • religious imagery
  • dreams
  • mythology
  • memory

Objects and colors could carry symbolic meaning.

6. Personal Expression

Individual style became increasingly important.

Van Gogh’s paintings look unmistakably like Van Gogh.

Cézanne’s look like Cézanne.

Seurat’s look like Seurat.

This strong sense of artistic individuality became central to modern art.

7. Scientific Color

Georges Seurat and Paul Signac explored scientific theories about how colors interact.

Instead of mixing pigments completely, they placed tiny strokes or dots of pure color beside one another.

The viewer’s eye blends them visually.

This approach became known as Neo-Impressionism or Pointillism.

8. Flattened Space

Some Post-Impressionists reduced traditional illusion of depth.

Japanese prints influenced many European artists to experiment with:

  • flat areas of color
  • bold outlines
  • unusual compositions

Gauguin and Toulouse-Lautrec were particularly influenced by this approach.

9. Everyday Subjects

Like the Impressionists, Post-Impressionists continued painting:

  • landscapes
  • cafés
  • people
  • city life
  • still lifes

But they interpreted these subjects more personally.

10. Movement Toward Modern Art

Perhaps the most important characteristic of Post-Impressionism is experimentation.

These artists broke apart many traditional assumptions about painting.

Their experiments laid foundations for the art of the 20th century.

Post-Impressionism and the Birth of Modern Art

Post-Impressionism is one of the most important bridges between 19th-century art and modern art.

Several later movements can be traced directly back to individual Post-Impressionists.

Cézanne → Cubism

Cézanne simplified nature into basic forms.

Picasso and Braque later pushed those ideas toward Cubism.

Van Gogh → Expressionism

Van Gogh used color and brushwork to communicate powerful emotion.

Expressionist artists later developed these ideas further.

Gauguin → Symbolism and Fauvism

Gauguin’s flat shapes and non-naturalistic color influenced artists who wanted to move beyond realism.

Seurat → Color Theory and Neo-Impressionism

Seurat demonstrated that art could combine visual experience with scientific color theory.

Post-Impressionism did not lead toward one destination.

It opened many roads at once.

Famous Artists of the Post-Impressionist Period

Vincent van Gogh (1853–1890)

Vincent van Gogh became one of the most famous artists in the world.

During his lifetime, however, he struggled to find widespread success.

His work is known for:

  • expressive brushwork
  • intense color
  • emotional landscapes
  • ordinary subjects
  • strong outlines
  • swirling movement

Famous works include:

  • The Starry Night
  • Sunflowers
  • The Bedroom
  • Irises
  • Café Terrace at Night
  • Wheatfield with Cypresses
  • numerous self-portraits

Van Gogh’s paintings are especially useful for helping children understand how brushwork and color can communicate emotion.

Paul Cézanne (1839–1906)

Paul Cézanne began with Impressionism but gradually developed a more structured style.

He became fascinated with the underlying forms of nature.

He painted:

  • mountains
  • apples
  • tables
  • bathers
  • landscapes
  • portraits

Famous works include:

  • Mont Sainte-Victoire series
  • The Card Players
  • Still Life with Apples
  • The Basket of Apples
  • The Large Bathers

Cézanne’s work had a profound influence on Pablo Picasso and Georges Braque.

Paul Gauguin (1848–1903)

Paul Gauguin rejected naturalistic color and increasingly used:

  • simplified shapes
  • strong outlines
  • flat areas of color
  • symbolic imagery

He worked in France and later traveled to French Polynesia.

Famous works include:

  • Vision After the Sermon
  • Where Do We Come From? What Are We? Where Are We Going?
  • The Yellow Christ
  • Spirit of the Dead Watching

Gauguin’s work is important historically, but older students should also learn about the colonial context in which some of his later paintings were created.

Georges Seurat (1859–1891)

Georges Seurat developed a highly systematic method of painting based on color theory.

He used tiny strokes or dots of color placed beside one another.

This technique became known as Pointillism.

Famous works include:

  • A Sunday Afternoon on the Island of La Grande Jatte
  • Bathers at Asnières
  • The Circus
  • The Eiffel Tower

Seurat died at only 31 years old, but his influence was significant.

Paul Signac (1863–1935)

Paul Signac worked closely with Seurat and became an important Neo-Impressionist painter.

He often painted:

  • harbors
  • boats
  • coastlines
  • Mediterranean landscapes

His later works used larger mosaic-like patches of brilliant color.

Henri de Toulouse-Lautrec (1864–1901)

Toulouse-Lautrec became famous for scenes of Parisian nightlife.

He painted and designed posters featuring:

  • dancers
  • performers
  • cafés
  • theaters
  • cabarets

Japanese prints strongly influenced his use of:

  • flattened shapes
  • bold outlines
  • cropped compositions

His posters helped blur the boundaries between fine art and commercial design.

Famous Paintings from the Post-Impressionist Period

The Starry Night — Vincent van Gogh

Few paintings are more recognizable.

A brilliant night sky swirls above a quiet village.

Look for:

  • spirals
  • repeated curved strokes
  • intense blue
  • bright yellow stars
  • tall cypress tree
  • contrast between movement and stillness

Van Gogh did not simply paint what the night sky looked like.

He transformed it into something deeply expressive.

Sunflowers — Vincent van Gogh

Van Gogh created several paintings of sunflowers.

Rather than carefully smoothing each petal, he used thick, energetic paint.

Look for:

  • repeated yellow tones
  • texture
  • curling petals
  • different stages of bloom

The painting is wonderful for studying how one color family can contain enormous variety.

Mont Sainte-Victoire — Paul Cézanne

Cézanne painted this mountain repeatedly.

Look for how he builds the landscape from:

  • planes
  • blocks of color
  • repeated shapes

The landscape feels both natural and carefully constructed.

The Basket of Apples — Paul Cézanne

At first glance, this seems like an ordinary still life.

But look carefully.

The table tilts strangely.

Some objects seem to be viewed from different angles.

Cézanne was beginning to challenge traditional perspective.

These experiments became important to Cubism.

A Sunday Afternoon on the Island of La Grande Jatte — Georges Seurat

Seurat created this enormous painting with tiny touches of color.

People relax in a park beside the Seine.

Look for:

  • repeated vertical figures
  • dots and small strokes
  • bright colors
  • carefully organized composition
  • stillness

This painting is an excellent introduction to Pointillism.

Vision After the Sermon — Paul Gauguin

Women in traditional Breton clothing appear beside a symbolic biblical scene.

The ground is an intense red.

Gauguin deliberately rejected realistic color in order to communicate something imaginative and spiritual.

Toulouse-Lautrec’s Posters

Toulouse-Lautrec’s posters provide wonderful examples of modern graphic design.

Look for:

  • bold outlines
  • silhouettes
  • flat color
  • unusual cropping
  • simplified figures
  • lettering integrated with imagery

Post-Impressionism vs. Impressionism: What’s the Difference?

Post-Impressionism grew directly out of Impressionism.

The artists learned from the Impressionists but wanted to go further.

Impressionism

Impressionists often emphasize:

  • light
  • atmosphere
  • fleeting moments
  • natural color
  • outdoor observation
  • visible brushwork

Think of Monet’s Impression, Sunrise.

Post-Impressionism

Post-Impressionists often emphasize:

  • expression
  • structure
  • symbolism
  • personal style
  • intense color
  • experimentation

Think of Van Gogh’s The Starry Night.

A useful way to remember the difference is:

Impressionism asks, “What do I see?”

Post-Impressionism asks, “What can I do with what I see?”

That change opened enormous possibilities for modern art.

Post-Impressionism vs. Expressionism

Post-Impressionism helped inspire Expressionism.

Post-Impressionism

Post-Impressionists experimented with:

  • color
  • brushwork
  • symbolism
  • structure
  • individual style

Expressionism

Expressionist artists pushed emotional distortion even further.

They often deliberately changed:

  • color
  • shape
  • perspective
  • human figures

in order to communicate intense inner experience.

Van Gogh is one of the most important bridges between the two.

Post-Impressionist Picture Study Suggestions

Post-Impressionism provides wonderful choices for Charlotte Mason picture study, homeschool art appreciation, classroom art history, and family art study.

Because each artist’s style is so distinctive, children can quickly learn to recognize individual artists.

Vincent van Gogh Picture Study

Try:

  1. The Starry Night
  2. Sunflowers
  3. The Bedroom
  4. Irises
  5. Café Terrace at Night
  6. Wheatfield with Cypresses

Look for:

  • brushstrokes
  • movement
  • line
  • complementary colors
  • texture
  • emotion

Van Gogh is especially useful for asking:

“How does the artist’s brush move?”

Paul Cézanne Picture Study

Try:

  1. Mont Sainte-Victoire
  2. The Basket of Apples
  3. Still Life with Apples
  4. The Card Players
  5. one of his landscapes
  6. one of his still lifes

Look for:

  • geometric shapes
  • tilted tables
  • simplified forms
  • repeated colors
  • unusual perspective

Georges Seurat Picture Study

Try:

  1. A Sunday Afternoon on the Island of La Grande Jatte
  2. Bathers at Asnières
  3. The Circus
  4. The Eiffel Tower
  5. one of his coastal paintings
  6. one of his drawings

Look for:

  • dots
  • repeated shapes
  • complementary colors
  • careful composition
  • stillness

Paul Gauguin Picture Study

For older students, try:

  1. Vision After the Sermon
  2. The Yellow Christ
  3. one of his Brittany landscapes
  4. one of his still lifes
  5. selected Tahitian works
  6. one of his self-portraits

Look for:

  • flat color
  • outlines
  • symbolism
  • non-naturalistic color
  • simplified shapes

Gauguin’s biography and some of his later subjects require thoughtful, age-appropriate context.

How to Do a Simple Post-Impressionist Picture Study

Choose one painting and allow your child to study it quietly for several minutes.

Then turn the image over or remove it from view.

Ask:

“What do you remember?”

Allow your child to narrate the painting from memory.

Then look again.

You might occasionally ask:

  • Which colors stand out most?
  • Are the colors realistic?
  • What kind of brushstrokes do you see?
  • Where do you see repeated shapes?
  • Does the artist simplify anything?
  • How does the painting make you feel?
  • Do the lines seem calm or energetic?
  • What part of the painting feels most personal?
  • Can you find any geometric shapes?
  • What do you think the artist cared about most: light, emotion, structure, color, or symbolism?

That final question is especially useful with Post-Impressionism.

Different artists give very different answers.

How to Recognize Post-Impressionist Art

Post-Impressionism can be harder to recognize than Impressionism because the artists do not all look alike.

Instead, look for clues associated with individual approaches.

Look for unusually expressive color.

Are the colors stronger or less realistic than what you would expect?

Look for distinctive brushwork.

Do the strokes:

  • swirl
  • repeat
  • form patterns
  • create texture?

Look for simplified shapes. Are houses, mountains, people, or objects becoming more geometric?

Look for symbolism. Does the painting seem to communicate an idea beyond the visible scene?

Look for Pointillism. Are tiny dots or strokes of pure color placed beside one another? You may be looking at Seurat or Signac.

Look for flattened space. Does the painting look less three-dimensional than traditional Western art?

Look for strong personal style. Does the artist’s individual way of painting dominate the scene?

This may be the greatest clue.

Post-Impressionism is the point where individual artistic language becomes increasingly important.

Easy Post-Impressionism Art Activities for Students

Create Van Gogh Brushstrokes

Draw a landscape using repeated lines.

Make different marks for:

  • sky
  • grass
  • trees
  • clouds

Allow the lines to show movement.

Paint a Van Gogh-Inspired Night Sky

Use:

  • dark blue
  • turquoise
  • violet
  • bright yellow

Create spirals, stars, and sweeping lines.

The goal is not to copy The Starry Night exactly.

Instead, explore how lines can make the sky feel alive.

Make a Cézanne Still Life

Arrange:

  • apples
  • oranges
  • bowl
  • cloth

Instead of trying to make everything perfectly realistic, look for basic forms:

  • sphere
  • cylinder
  • cone

Try Pointillism

Create a simple image using only dots or very small marks.

Try placing complementary colors beside one another.

For example:

  • blue beside orange
  • red beside green
  • yellow beside violet

Step back and see what happens.

Paint with Expressive Color

Draw a familiar landscape but deliberately change the colors.

Perhaps:

  • purple trees
  • orange grass
  • green sky

Choose colors based on mood rather than reality.

Design a Toulouse-Lautrec-Inspired Poster

Create a poster for an imaginary:

  • concert
  • play
  • circus
  • art show

Use:

  • bold outlines
  • flat shapes
  • simple colors
  • large lettering

Compare Impressionism and Post-Impressionism

Place Monet beside Van Gogh, Cézanne, or Seurat.

Ask:

  • Which artist cares more about natural light?
  • Which uses stronger shapes?
  • Which uses more expressive color?
  • Which brushwork feels more personal?
  • Which painting seems closer to what the eye sees?
  • Which seems closer to what the artist feels or thinks?

Frequently Asked Questions About Post-Impressionism

What was Post-Impressionism?

Post-Impressionism describes several late 19th-century artists who were influenced by Impressionism but moved beyond its emphasis on natural light and fleeting visual impressions.

They explored:

  • expression
  • symbolism
  • structure
  • color theory
  • personal style

When was the Post-Impressionist period?

Post-Impressionism is generally associated with approximately 1886 to 1905.

Where did Post-Impressionism begin?

Many of the artists worked in France, although Van Gogh was Dutch and the movement involved artists from different backgrounds.

Paris remained an especially important center.

What came before Post-Impressionism?

Impressionism directly preceded and influenced Post-Impressionism.

What came after Post-Impressionism?

Post-Impressionism helped inspire several early modern movements, including:

  • Fauvism
  • Expressionism
  • Cubism

What are the main characteristics of Post-Impressionist art?

Important characteristics include:

  • expressive color
  • visible brushwork
  • stronger structure
  • simplified forms
  • symbolism
  • personal expression
  • scientific color
  • flattened space
  • experimentation

Who were the most famous Post-Impressionist artists?

Some of the most famous include:

  • Vincent van Gogh
  • Paul Cézanne
  • Paul Gauguin
  • Georges Seurat
  • Paul Signac
  • Henri de Toulouse-Lautrec

Was Van Gogh an Impressionist?

Van Gogh was influenced by Impressionism after moving to Paris, but he is generally classified as a Post-Impressionist.

His intense color and highly expressive brushwork moved beyond the Impressionist emphasis on visual perception.

Was Cézanne an Impressionist?

Cézanne exhibited with the Impressionists early in his career.

However, he later developed a more structured approach and is generally considered one of the most important Post-Impressionists.

Was Seurat an Impressionist?

Seurat developed after the first generation of Impressionists.

His systematic technique is usually classified as Neo-Impressionism, which falls within the broader Post-Impressionist period.

What is Pointillism?

Pointillism is a painting technique in which small dots or strokes of color are placed beside one another.

The viewer’s eye visually blends the colors.

Georges Seurat and Paul Signac are especially associated with this approach.

Why is Van Gogh so famous?

Van Gogh developed an extremely distinctive visual language using:

  • intense color
  • expressive lines
  • thick paint
  • energetic brushwork

His life story has also contributed to his enormous fame.

Why is Cézanne important to modern art?

Cézanne simplified objects and landscapes into underlying geometric structures.

His experiments with shape and perspective strongly influenced artists such as Pablo Picasso and Georges Braque, helping prepare the way for Cubism.

Why is Post-Impressionism important?

Post-Impressionism helped free artists from the idea that paintings had to reproduce visible reality accurately.

Artists could:

  • alter color
  • simplify shapes
  • distort perspective
  • emphasize emotion
  • use symbols
  • develop intensely personal styles

These freedoms became fundamental to modern art.

What Post-Impressionist artists are best for children to study?

Vincent van Gogh, Georges Seurat, and Paul Cézanne are especially approachable.

Van Gogh provides wonderful opportunities to study line, color, texture, and emotion.

Seurat makes color theory and Pointillism easy to explore through hands-on activities.

Cézanne helps children begin seeing complex objects as simple geometric forms.

Explore Color, Expression, and Experimentation Through Post-Impressionism

Post-Impressionism marks an exciting moment in art history.

Artists no longer had to agree about what painting should be.

One artist could say:

“I want to paint emotion.”

Another:

“I want to understand structure.”

Another:

“I want to study color scientifically.”

Another:

“I want my painting to symbolize something beyond what we can see.”

And suddenly art could travel in many different directions.

That’s one reason Post-Impressionism is so valuable to study with children.

Compare a Van Gogh with a Seurat.

Then compare both with Cézanne.

Ask:

“How can all three belong to the same period when they look so different?”

The answer reveals something important.

An art movement does not always mean everyone followed the same rules.

Sometimes it means artists were asking similar questions—and finding completely different answers.

As you study Post-Impressionist art, encourage your children to notice color, brushwork, shape, texture, pattern, symbolism, structure, and individual style.

And ask:

“What did this artist choose to change from reality—and why?”

That question helps children understand one of the great turning points in art history:

Painting was no longer simply about showing the world.

It was becoming a way for artists to reimagine it.

Return to Art Era Index